Good Friday Experience 2016, part 3

I'm not sure what kept me from writing this installment for so long, other than a wish to convey how deeply affecting the whole experience was. I believe I have covered the background and development of the undertaking, so here I will lay out the various stations, with photos.

In the narthex folks could pick up a brochure which would guide them through the rest of the experience. They could also attach pieces of tissue paper to a cross-shaped installation on the window which was made from double-sided clear contact paper. From here the sanctuary was available (quiet and dimly lit, with a sheet of simple prayers and readings) for quiet meditation.

Upstairs we had squares of aluminum foil available to shape into animals. Ideally these would have been animals mentioned in the Bible narrative (donkey, rooster, etc) but we got a variety, and as the evening wore on even non-living sculptures! With one of our resident artists located here, this went much better than one might expect.

In another room persons could use wire and nails to make a cross, of sticks and yarn to make God's eyes. This seemed to appeal to older folks, as I found many of them in this center chatting together all evening!

I asked on of our carpenters to build a wood frame and add nails to serve as a base for weaving yarn as prayers. Over the years our supply of yarn has increased exponentially, and this was a great way to put some of that to use.

I asked one of our other elementary art teachers to create a mural-sized depiction of the Palm Sunday narrative: Jesus, donkey, town, villagers, etc. We provided paints (and smocks) for persons to paint that mural. We also had smaller pieces of paper and markers of various types available for individual, small-scale projects.

Outside we explored the labyrinth as a device for prayer. We had supplies available to make a labyrinth out of paper and sand to take home, and a kid-scaled version to walk in our lawn. It included prayer suggestions along the way. The outdoor aspect helped the children who were participating considerably by providing a place to release some energy.

Finally, we had a simple dinner of soup and bread (and peeps) available in our fellowship hall.

I was delighted with the turn-out, and gratified that folks found meaning in the various stations. I hope we can do something like this again.

Good Friday 2016, stations event

Following up on the initial post on our Good Friday event this year, here are some more details about the evolution of the event.

Our community has a history of sponsoring a community Good Friday service. It is one of the last in a series of services sponsored by the clergy association in town. It takes place at midday. Our church has supported this service, and the whole series for several years, so we have avoided adding anything of our own to Good Friday that might take away from the population for the community service. I offered a sacred concert of organ music for a couple of years, feeling that this was different enough from a worship service that it would not detract from the community service, and that it was also not going to even attempt to draw the same crowd that would attend a "regular" worship service. I have also had our choir offer choral music on Good Friday in recent years, with the same thinking in mind.

This stations event would build on that concept: it would target persons who might not normally go to the community service, and it would not be a "service" in the typical sense. We were hopeful a good cross-section of our congregation's demographic would attend, especially families with children. And we felt the "art" aspect would really separate it in the minds of our community.

Planning with our artists was very gratifying. They had plenty of ideas of creative ways to explore Bible passages for Good Friday. Ultimately we decided to expand and somewhat superficially cover all of Holy Week beginning with Palm Sunday, but avoid any hint at Easter, all without it being a "gloomy" event. We settled on 6 stations with 8 "projects. It was a very dynamic exchange with lots of adjustments as I offered possible Bible passages, to which the artists offered possible art projects. We wanted everything to be attainable by even young children, but yet wanted the whole evening to provide enough theological heft to appeal to older adults.

By this point we knew we wanted to offer food at the event and settled on a specific time-frame during which food would be available, with folks coming and going at will from the other aspects of the evening. We also wanted to have our sanctuary available as a quiet place for prayer. These really became two additional stations, the dining hall being a chance to reflect on the last supper Jesus shared with his followers, and the sanctuary emblematic of Jesus praying in the garden prior to his arrest.

Next post I'll go into detail with the specific stations and the art projects.

Good Friday 2018, Sacred Concert

After a couple of years in which Good Friday did not feature music, I did a sacred concert this year on organ. I forget how it transpired but ultimately I settled on using the Moravian Church's Passion Week Manual (1955) as a basis. The manual is a series of services for each night of Holy Week which are basically the gospel narratives harmonized into one continuous reading, interspersed with hymns. It was those hymns that I wanted to explore. I initially chose about a dozen, and pared that down to nine. I went about seeking settings of the tunes for the various hymns. Many I had on hand, but I had to go seeking a couple. One of my favorite Moravian hymns is Ten-thousand times ten-thousand, and I was certain I wanted to include a setting of that in the program. However I could not find a setting anywhere. I asked several colleagues and sources to no avail. I found out about a piano setting by Margaret Sandresky (in Winston-Salem), but when I looked it over decided it was too pianistic for my purposes. Along the way I traded emails with Wayne Leupold in Colfax, who publishes a lot of Sandresky's organ music. He happened to copy the composer on a message, and later that same day I had a phone call from Mrs. Sandresky. She offered to compose something for my needs, saying she already had the broad shape mapped out in her mind! The piece arrived a scant 5 days later. I was thrilled at her generosity, and delighted that the listening audience would get to participate in a premiere. In years past the program from this concert has offered poetry for meditation. I decided this time to concentrate on explaining the hymns and the settings being performed., along with some Moravian history. I think it turned out well, and have heard many favorable things in the days following. The program cover is above. The complete booklet is here. It's a scan of the hard-copy, so it's a little whonky.

Good Friday Stations, part 1

In spring of 2015 the local paper ran an article about an artist with an exhibition taking place around Easter time. Without going back to re-read and get the details, what I recall was that the artist had a series of works that invited the viewer to consider the Easter story and the renewal of creation as individuals walked through the installation. I never even got around to see the exhibit, but something about the article struck me and stuck. A month later I was talking with our worship committee about an idea for an interactive Good Friday experience that relied on art to let/help persons recall and meditate on the Good Friday story. I wanted an experience that would be meaningful for adults, but 100% approachable by children. Our committee worked on the concept all year.

What evolved was an evening-long experience in which persons could drop-in, participate and leave on their own, much like those horrid drop-in communion services we've all heard of! We wanted a series of "stations" purposefully recalling the "stations of the cross" model of Good Friday worship. Each station would be an art project, based on a Bible verse which persons could complete quickly and either take home of leave for others to view. We wanted to provide food, as we anticipated that we would run the event throughout the dinner hour. We wanted older, traditionally-minded folks, to feel like they had experienced something substantive when they were done; and we wanted children to feel like they had encountered the Bible story in a mode they could comprehend. We knew we would need the help of committees apart from our own to bring it off.

The event was last night. Upcoming posts will deal with it in some detail. We feel it was a success, though we are waiting to hear more from those who participated. It's the nature of the event and how it was billed that we didn't do much debriefing as folks departed.