I've been listening to
Jonathan Rundman's 2011 self-titled release with a goofy grin on my face. The music is very upbeat and you're going
along just fine until you realize he's singing about a handbell ringer, or Ash
Wednesday or a committee meeting. Thus
the grin. Several of the songs on this
album are from earlier releases, but there's plenty of new material. I found myself comparing Rundman to NC
balladeer Mike Cross, only with rock instead of bluegrass or folk as his musical
style. Like Mike Cross, Rundman casts a
poet's eye on the mundane and earnestly reflects on the basics of life. And more specifically in the case of several
songs here, the life of church-y folks.
Other surprises include the homage to librarians and Rundman's request
for a "bright funeral." This
is a great album to keep in the car. The
music is fun and the messages contain a delightful mix of silly and sublime
with a subtle zing here and there. + + + +
Monday, June 18, 2012
Thursday, June 14, 2012
Music for 061712
FirstLight
Gathering Song(s)
How great is our God
Opening Song
Holy is the Lord
Prayer of Confession Response
We sing of your glory (STF 2011, in D)
Communion
Distribution: God has chosen me
Closing Song
Your grace is enough
11AM
Hymns
205, All hail to God’s anointed (ELLACOMBE)
Hymn of promise (PROMISE)
Prayer of Confession Response
Patterson, Alleluia, in Jesus Christ we are forgiven
Doxology
592, Praise God, from whom all blessings flow (OLD HUNDREDTH)
Music during Communion
Responses: Hal Hopson
Distribution: God has chosen me
Instrumental/Organ Music
Prelude: Carol Staszewski, Voluntary on Ellacombe
Offertory: George Thalben-Ball, Solemn Melody
Postlude: Joseph Jongen, Choral
Gathering Song(s)
How great is our God
Opening Song
Holy is the Lord
Prayer of Confession Response
We sing of your glory (STF 2011, in D)
Communion
Distribution: God has chosen me
Closing Song
Your grace is enough
11AM
Hymns
205, All hail to God’s anointed (ELLACOMBE)
Hymn of promise (PROMISE)
Prayer of Confession Response
Patterson, Alleluia, in Jesus Christ we are forgiven
Doxology
592, Praise God, from whom all blessings flow (OLD HUNDREDTH)
Music during Communion
Responses: Hal Hopson
Distribution: God has chosen me
Instrumental/Organ Music
Prelude: Carol Staszewski, Voluntary on Ellacombe
Offertory: George Thalben-Ball, Solemn Melody
Postlude: Joseph Jongen, Choral
Thursday, June 7, 2012
Music for 061012
FirstLight
Gathering Song(s)
Jubilate, everybody
Opening Song
We fall down (in D)
Holy, holy, holy (NICEA)
Prayer of Confession Response
Surely it is God who saves me (STF 2030, in C)
Offertory
Marvelous light (in A)
Doxology
Give thanks (refrain, STF 2036)
Closing Song
Refiner’s fire (Purify my heart), (in E)
11AM
Hymns
139, Come, thou almighty King (ITALIAN HYMN)
2225, Who is my mother, who is my brother (KINDRED)
276, Great is thy faithfulness (FAITHFULNESS)
Prayer of Praise Response
2030, Surely it is God who saves me (FIRST SONG)
Doxology
592, Praise God, from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Pachelbel, All glory be to God on high
Offertory: Titelouze, Come, Holy Spirit
Postlude: JS Bach, Lamb of God most holy
Gathering Song(s)
Jubilate, everybody
Opening Song
We fall down (in D)
Holy, holy, holy (NICEA)
Prayer of Confession Response
Surely it is God who saves me (STF 2030, in C)
Offertory
Marvelous light (in A)
Doxology
Give thanks (refrain, STF 2036)
Closing Song
Refiner’s fire (Purify my heart), (in E)
11AM
Hymns
139, Come, thou almighty King (ITALIAN HYMN)
2225, Who is my mother, who is my brother (KINDRED)
276, Great is thy faithfulness (FAITHFULNESS)
Prayer of Praise Response
2030, Surely it is God who saves me (FIRST SONG)
Doxology
592, Praise God, from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Pachelbel, All glory be to God on high
Offertory: Titelouze, Come, Holy Spirit
Postlude: JS Bach, Lamb of God most holy
Wednesday, June 6, 2012
Review: Richard Colligan, Shout for joy
Richard Bruxvoort Colligan’s second project for
Augsburg-Fortress Press, Shout for Joy,
is a second collection of original settings of the Psalms. The titles of the tracks do not identify the specific psalm texts; I have the album via the Amazon.com Cloud player, so I am lacking liner notes, which may give
some helpful details in that regard.
Given the parameters of the project, a psalm collection, this may not be
the best album to judge an artist’s talents with original material. I found the musical style a little too poppy
for repeated listening. That being said,
young children will likely truly enjoy this music. Indeed, children's voices are incorporated in several of the songs. Colligan’s lyrics are quite clear, and will
allow listeners to readily hear the Psalm texts. Colligan’s voice, however, doesn’t seem to have
the heft to pull off meatier music. I
found the upbeat nature of “Return and Restore us” slightly incongruous in
relation to the text of the song. A
couple of songs could find their way into corporate as congregational songs or
responses. I hope lead sheets will be
available for a couple of these. + + +
Wednesday, May 30, 2012
Review: Ruthie Foster, Let it burn
I am listening to this entire album once again this morning, and finding that I am nowhere near tired of listening to Ruthie Foster! Born in Texas and infused with a rich palette of musical influences, Foster's sultry, soulful, sensuous singing is a delight even on repeated listening. This album was recorded in NOLA and includes some heavy-hitting back-ups on a couple of the tracks: George Porter, Jr., the Blind Boys of Alabama and William Bell. This album features more covers and fewer original songs than her other releases, but all that has done is whet my appetite. (My kids enjoy hearing Adele sing "Set Fire to the Rain" on pop radio, but Foster's take is incredible.) The orchestrations could easily have overtaken the voice, so kudos to the producers who let the voice predominate. + + + +
Tuesday, May 29, 2012
Pentecost 2012
We re-installed our cut-paper dove, but added with
it with two
red cut-paper flames. The install went fine and the final effect was
good. I'd like to do more of the flames for next year, maybe from each
light fixture and vary the heights.Thursday, May 24, 2012
Music for 052712 Pentecost
FirstLight
Gathering Song(s)
Wa, wa, wa emimimo
Opening Song
Spirit, Spirit of gentleness (PH 319)
Prayer of Praise Response
Spirit of the living God
Offertory
As the wind song
Communion
Responses by Leon Roberts
Distribution: Our God is here
Closing Song
Jesus Messiah
11AM
Hymns
129, Come, O Spirit, dwell among us (EBENEZER)
131, Wind who makes all winds that blow (ABERYSTWYTH)
Prayer of Praise Response
322, Spirit of the living God (LIVING GOD)
Doxology
Praise God from whom all blessings flow (with Alleluias)
LASST UNS ERFREUEN
Music during Communion
Responses by Leon Roberts
Distribution:
314, Like the murmur of the dove’s song
316, Breathe on me, breath of God
Instrumental/Organ Music
Prelude: Titelouze, Trio on Veni Creator Spiritus
Offertory: David Ashley White, Come down, O love divine
Chancel Choir
Postlude: Titelouze, Fugue on Veni Creator Spiritus
Gathering Song(s)
Wa, wa, wa emimimo
Opening Song
Spirit, Spirit of gentleness (PH 319)
Prayer of Praise Response
Spirit of the living God
Offertory
As the wind song
Communion
Responses by Leon Roberts
Distribution: Our God is here
Closing Song
Jesus Messiah
11AM
Hymns
129, Come, O Spirit, dwell among us (EBENEZER)
131, Wind who makes all winds that blow (ABERYSTWYTH)
Prayer of Praise Response
322, Spirit of the living God (LIVING GOD)
Doxology
Praise God from whom all blessings flow (with Alleluias)
LASST UNS ERFREUEN
Music during Communion
Responses by Leon Roberts
Distribution:
314, Like the murmur of the dove’s song
316, Breathe on me, breath of God
Instrumental/Organ Music
Prelude: Titelouze, Trio on Veni Creator Spiritus
Offertory: David Ashley White, Come down, O love divine
Chancel Choir
Postlude: Titelouze, Fugue on Veni Creator Spiritus
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