Thursday, April 14, 2016

Floral arts at Lent and Easter 2016

This was the second year we did a slightly different take on floral arts during Lent. The concept was a progression for "poverty" to "abundance." The flowers in our two worship spaces began the season very starkly and evolved over the season to a glorious display for Easter Day. This year Ash Wednesday for us was a joint service with another congregation, so we didn't provide an arrangement. If we had, the plan would have been to drape the wooden urn in black fabric. We opted to use two separate arrangements for our two worship spaces, except on Easter Day. Fellowship hall had a brass urn and the sanctuary a wooden urn. Here is how the program developed:

The first Sunday of Lent was simply canes and twigs with moss, in unadorned urns.




For the second Sunday of Lent the floral arts team simply added eucalyptus branches, while retaining most of the material from the previous week.


We added alstroemeria to both arrangements for the 3rd Sunday.


Forsythia and other flowers added for the 4th week gave a hint at what was to come...This arrangement was striking simply for the height provided by some of the branches.






Palm-Passion Sunday saw the forsythia in full bloom, now with some white flowers and palm branches.




Sorry the light was bad for the Easter arrangement, but it was glorious. Lots of flowers in a trumpet-shaped glass vase.



We concluded the series on Easter Day with a reprise of our indoor Easter garden. It included a flowered cross. Individuals purchased plants in memory of or in honor persons, and were able to take their plants home after worship.



Good Friday Stations, part 1

In spring of 2015 the local paper ran an article about an artist with an exhibition taking place around Easter time. Without going back to re-read and get the details, what I recall was that the artist had a series of works that invited the viewer to consider the Easter story and the renewal of creation as individuals walked through the installation. I never even got around to see the exhibit, but something about the article struck me and stuck. A month later I was talking with our worship committee about an idea for an interactive Good Friday experience that relied on art to let/help persons recall and meditate on the Good Friday story. I wanted an experience that would be meaningful for adults, but 100% approachable by children. Our committee worked on the concept all year.

What evolved was an evening-long experience in which persons could drop-in, participate and leave on their own, much like those horrid drop-in communion services we've all heard of! We wanted a series of "stations" purposefully recalling the "stations of the cross" model of Good Friday worship. Each station would be an art project, based on a Bible verse which persons could complete quickly and either take home of leave for others to view. We wanted to provide food, as we anticipated that we would run the event throughout the dinner hour. We wanted older, traditionally-minded folks, to feel like they had experienced something substantive when they were done; and we wanted children to feel like they had encountered the Bible story in a mode they could comprehend. We knew we would need the help of committees apart from our own to bring it off.

The event was last night. Upcoming posts will deal with it in some detail. We feel it was a success, though we are waiting to hear more from those who participated. It's the nature of the event and how it was billed that we didn't do much debriefing as folks departed.

Music for 4/17/2016

FirstLight
Gathering
Give thanks with a grateful heart

Opening
Hallelujah, your love is amazing

Confession
Halle, halle, halleluja

Offertory
One thing remains

Closing
Canticle of the turning

11AM
Hymns
236, The strife is o’ver (VICTORY)
100, My soul cries out (CANTICLE OF THE TURNING)
546, Lord dismiss us with your blessing (SICILIAN MARINERS)

Confession/Praise Response
2026, Halle, halle, hallelujah (CARIBBEAN HALLELUJA)

Doxology LASS UNS ERFREUEN
Praise God from whom all blessings flow

Instrumental Music
Prelude:  Max Reger (1873-1916), God of heaven and God of earth
Offertory: Mark A. Miller, I believe
Postlude: Gordon Young, Prelude in Classic Style

Thursday, March 17, 2016

Music for 2016.03.20 Palm-Passion

FirstLight
Gathering
Palm Procession (narthex)

Opening
All glory, laud, and honor (4/4 time, B-flat Major, drumming)

Confession
Give me a clean heart
Take, O take me as I am

Offertory
Revelation song

Closing
To my precious Lord (GTG 704)

11AM
Hymns
196, All glory, laud, and honor (VALET WILL ICH DIR GEBEN)
Hymn setting by Trenton Durham,
written for his marriage to Brooke Alexander, 3 April 2016

704, To my precious savior (TO MY PRECIOUS SAVIOR)
197, Hosanna, loud hosanna (ELLACOMBE)

Confession/Praise Response
Call to confession: Give me a clean heart
Response after confession: 698, Take, O take me as I am

Doxology HATTON
Praise God from whom all blessings flow

Instrumental/Choral Music
Prelude:  JS Bach, Prelude in F Minor
Offertory: Edwin T Childs, My song is love unknown
A setting of a poem by Samuel Crossman (1664); follow the text at GTG 209
Postlude: JS Bach, Fugue in F Minor

Thursday, February 25, 2016

Music for 2/28/2016

FirstLight
Gathering
Turn my heart

Opening
Made me glad

Confession
Give me a clean heart
Take, O take me as I am

Prayers
There is a balm in Gilead

Offertory
Arms open wide

Closing
There is a longing in our hearts

11AM
Hymns
307, God of Grace and God of Glory (CWM RHONDDA)
847, Our Hope, Our Life (O WALY WALY)
372, O For a World (AZMON)

Confession/Praise Response
Give me a clean heart
698, Take, O take me as I am

Prayers
792, There is a balm in Gilead (THERE IS A BALM)

Doxology HATTON
Praise God from whom all blessings flow

Instrumental Music
Prelude:  Gilbert Martin, There is a balm
Offertory:  Craig Curry, I heard the voice of Jesus say
Postlude: John Stanley, Voluntary in D Minor

Thursday, February 4, 2016

Worship Symposium (Calvin Institute)



I went to the Calvin Institute’s worship symposium last week as part of my continuing education this year. It was a very good event and I found much to think about and felt gratified about what we have going on at BMPCNC while also perceiving areas we can grow.  Here’s a very brief summary and review

Thursday
Morning worship Reggie Smith preaching, music by Hope College musicians (band with a young organist on the hall’s pipe organ added to the mix! Awesome! All hail Christ was probably my favorite song from the event)
Seminar: Wisdom for leading through changes in worship in diverse communities (experiences with Calvin Institute grants)
Seminar: Worship in times of tension (panel discussion)
Vesper Service: Were you there (Biblical drama led by students from Northwestern College under the direction of Jeff Barker (Donna Marie Todd, a Biblical story-teller who worships with us, knows Jeff.)
Evening worship: Mary Hulst (chaplain at Calvin College) preaching and students from Calvin College's LOFT team (the bass player was my hero for the hour, giving everything he had in his performance)

Friday
Morning worship: Frank A Thomas, preaching, Rawn Harbor and Michael Burkhardt accompanying
Plenary Session: Barbara J. Newman Universal design for worship: shaping worship for people of all abilities (a video from First Church Dyer, Indiana which we saw Thursday morning was used again in this session, it consists of various members of their congregation of all ages and abilities saying the Apostles' Creed: very moving)

Seminar: Psalms from the Soul: Rawn Harbor used the group to sing through brand new settings of the psalms to get an idea of how well they “worked” in real life. He also spoke about his experience writing psalm-settings within the context of the Roman Catholic church

Seminar: Ron and Debra Rienstra. Something old, something new, something borrowed, something blue (drawing on various resources, old, new, global, indigenous to create authentic worship)

Seminar: Marking Time; dressing the church for the liturgical year (Deborah Sokolove, on the faculty of my alma mater, Westley Theological Seminary) I presented our model for the Advent Wreath at our FirstLight services in 2015 and 2014, which seemed well-received by the participants.

Vespers: Sandra McCracken and students from Hope College
Festival of Song and Scripture (gospel music from a variety of musicians and churches)

Saturday
Morning worship: Richard Mouw preaching musicians from East End Fellowship, Richmond, VA
Plenary session: L Gregory Jones on “traditioned innovation,” co-presented with an ad hoc jazz ensemble exploring vividly the notion of spontaneously generated expressions of faith and theology unique but grounded in our rich theological heritage

Seminar: Projection practices Becky Steel Halstead creative and tasteful methods for developing the Sunday worship projection

Seminar: From the inside out: guiding adolescents in worship leadership Eric Mathis (we do this a lot already and I wanted to see if we were doing it according to anyone else's model) I felt like what we do with youth leadership held its own in the critical light of “best practices”

Seminar: Revitalized worship spaces: architecture of renewal (we did nothing but look at pictures of some very creative spatial reconfigurations around the country) It was wonderful!

Closing Worship: Anne Zaki preaching. The end of the service and the blessing rite, in many languages and including a simple sending song from China was quite stirring.

Music for 02072016

FirstLight
Gathering
            Come into God’s presence (unaccompanied)
            Come, now is the time to worship
Opening
            Come and rejoice
Confession
            Jubilate, everybody
Offertory
            Praise his holy name
Closing
            You are holy, you are whole
 

This Sunday we are excited to welcome the Asheville Youth Choir to sing with us at the 11am service.

11AM
Hymns
            267, Come, Christians, join to sing (SPANISH HYMN)
            no middle hymn
            274, You, Lord, are both lamb and shepherd (PICARDY)
Confession/Praise Response WESTMINSTER ABBEY
Laud and honor to the Father,
Laud and honor to the Son,
Laud and honor to the Spirit,
Ever three and ever one:
One in might and one in glory, while unending ages run.
Anthem (at the readings)
            Cesar Franck, Psalm 150
Doxology LASST UNS ERFREUEN
Praise God from whom all blessings flow;
Praise God all creatures here below;
Alleluia, alleluia!
Praise God above ye heavenly host;
Praise Father, Son and Holy Ghost.
Alleluia, alleluia, alleluia! Alleluia, alleluia!
Benediction Response
            John Rutter, For the beauty of the earth
Instrumental Music
            Prelude:  Arr. Koerts, Creation Sings
            Offertory:  Arr. Aspass, Oba Se Je (Here comes the King)
            Postlude: Theodore Dubois, Toccata
 
The Asheville Youth Choir is a community choir offering the opportunity for
teenagers to come together to enjoy the challenge and friendship of creating
beautiful music, thereby making a positive impact in our community and
beyond. It is sponsored by the Academy for the Arts (AFTA )at First Baptist
Church and is directed by Clark Sorrells, AFTA faculty member and Robert
Waller, Arts Education Coordinator for Buncombe County Schools.