It's obvious one is listening to Russian choral music: the is plenty of stereotypical basso profundo present. But it's also readily apparent that this is distinctly modern music. The music is at once tuneful, dissonant and atmospheric, sung with pathos and conviction by the choir with Orthodox priests serving as soloists in some instances. It is equally at home in church and on stage. A couple of the musical riffs became a little too familiar upon listening to the whole CD without interruption. But aside from that, this is a recording well-worth securing. Study it for the vocal technique; use it to accompany meditation or reading. But anyone interested in choral music, especially as it is finding expression in modern Russia (is that an oxymoron?) will enjoy this. + + + +
Friday, January 25, 2013
Review: Valentin Silvestrov, Sacred works
Under a cloudy sky with sleet and freezing rain in the forecast, I am
listening to a CD of Russian choral music. Almost cliche in its
symbolism! I had not heard of Silvestrov before reading about this CD in
Choir and Organ magazine. He has, before this CD, been known mostly for
instrumental/secular works. But the present album takes us into his spiritual
side with a collection of 23 works for unaccompanied choir. I wish the
CD came with texts and translations. The wonderful article (in German and English) on
Silvestrov's musical style doesn't make up for not having the songs'
lyrics at hand. Aside from that oversight, this is an incredible
undertaking. The Kiev Chamber Choir under the direction of Mykola
Hobdych sings with remarkable clarity, subtlety and precision. The
recording (ECM 2117) was made 2006/7 in the Cathedral of the Dormition, Perchersk
Lavra, Kiev, Ukraine.
It's obvious one is listening to Russian choral music: the is plenty of stereotypical basso profundo present. But it's also readily apparent that this is distinctly modern music. The music is at once tuneful, dissonant and atmospheric, sung with pathos and conviction by the choir with Orthodox priests serving as soloists in some instances. It is equally at home in church and on stage. A couple of the musical riffs became a little too familiar upon listening to the whole CD without interruption. But aside from that, this is a recording well-worth securing. Study it for the vocal technique; use it to accompany meditation or reading. But anyone interested in choral music, especially as it is finding expression in modern Russia (is that an oxymoron?) will enjoy this. + + + +
It's obvious one is listening to Russian choral music: the is plenty of stereotypical basso profundo present. But it's also readily apparent that this is distinctly modern music. The music is at once tuneful, dissonant and atmospheric, sung with pathos and conviction by the choir with Orthodox priests serving as soloists in some instances. It is equally at home in church and on stage. A couple of the musical riffs became a little too familiar upon listening to the whole CD without interruption. But aside from that, this is a recording well-worth securing. Study it for the vocal technique; use it to accompany meditation or reading. But anyone interested in choral music, especially as it is finding expression in modern Russia (is that an oxymoron?) will enjoy this. + + + +
Thursday, January 17, 2013
Music for 012013
FirstLight
Gathering Song(s)
Hiding place (STF 2055)
As the deer (STF 2025)
Opening Song
He has made me glad (STF 2270)
Confession
Halle, halle, hallelujah (STF 2026)
Offertory
David Hekking, TBA title
Communion
Distribution: Sing alleluia to the Lord (STF 2258)
Closing Song
Jesus Messiah
11 AM
Hymns
276, Great is thy faithfulness (FAITHFULNESS)
Songs of thankfulness and praise (ST GEORGE’S WINDSOR)
Introit
2011, We sing of your glory (TUYA ES LA GLORIA)
Confession
2026, Halle, halle, hallelujah (CARIBBEAN HALLELUJA)
Doxology
OLD HUNDREDTH
Communion
Responses: Eslinger in C
Distribution:
Jesus, come for we invite you (Insert)
510, Jesus, thou joy of loving hearts (QUEBEC)
Instrumental/Organ Music
Prelude: Arr. Don Widman, Take Time to be holy
Carolyn Konnert, cello
Offertory: Jane Marshall, None other lamb
None other Lamb, none other Name,
None other hope in Heav’n or earth or sea,
None other hiding place from guilt and shame,
None beside Thee!
My faith burns low, my hope burns low;
Only my heart’s desire cries out in me
By the deep thunder of its want and woe,
Cries out to Thee.
Lord, Thou art Life, though I be dead;
Love’s fire Thou art, however cold I be:
Nor Heav’n have I, nor place to lay my head,
Nor home, but Thee.
Chancel Choir, Carolyn Konnert, cello
Postlude: Healy Willan, St. George’s Windsor
Gathering Song(s)
Hiding place (STF 2055)
As the deer (STF 2025)
Opening Song
He has made me glad (STF 2270)
Confession
Halle, halle, hallelujah (STF 2026)
Offertory
David Hekking, TBA title
Communion
Distribution: Sing alleluia to the Lord (STF 2258)
Closing Song
Jesus Messiah
11 AM
Hymns
276, Great is thy faithfulness (FAITHFULNESS)
Songs of thankfulness and praise (ST GEORGE’S WINDSOR)
Introit
2011, We sing of your glory (TUYA ES LA GLORIA)
Confession
2026, Halle, halle, hallelujah (CARIBBEAN HALLELUJA)
Doxology
OLD HUNDREDTH
Communion
Responses: Eslinger in C
Distribution:
Jesus, come for we invite you (Insert)
510, Jesus, thou joy of loving hearts (QUEBEC)
Instrumental/Organ Music
Prelude: Arr. Don Widman, Take Time to be holy
Carolyn Konnert, cello
Offertory: Jane Marshall, None other lamb
None other Lamb, none other Name,
None other hope in Heav’n or earth or sea,
None other hiding place from guilt and shame,
None beside Thee!
My faith burns low, my hope burns low;
Only my heart’s desire cries out in me
By the deep thunder of its want and woe,
Cries out to Thee.
Lord, Thou art Life, though I be dead;
Love’s fire Thou art, however cold I be:
Nor Heav’n have I, nor place to lay my head,
Nor home, but Thee.
Chancel Choir, Carolyn Konnert, cello
Postlude: Healy Willan, St. George’s Windsor
Monday, January 14, 2013
Review: JG Hymns, Lots
This weekend I have been listening to Lots, from Jonathan Green. Green is based in Edinburgh, Scotland. He describes himself as working "with old hymns, writ(ing) new songs, and play(ing) loads of acoustic and electronic instruments." This album includes several familiar hymn texts paired new tunes along with new texts and tunes. The album is available only by digital download from the artist's website, but it's well-worth tracking down. These are not arrangements of hymns that will find congregational use. They are presented as music for reflection on "9 different ways in which people from past and present times have responded to significant events in their lives." While Green sings on several of the tracks, there is plenty of instrumental music. Green's reedy voice reminded me a bit of the current pop artist, Alex Clare. I would heartily recommend this album for folks who like singer-songwriters, and would like music to assist in reflection and prayer. The songs aren't universally soft and contemplative, but they will provoke thinking and curiosity. The album booklet which comes with the digital download, includes a neat picture for each song, kind of like an icon for the songs.
+ + +
+ + +
Friday, January 11, 2013
Music for 011313
FirstLight
Gathering Song(s)
Holy, holy, holy
We sing of your glory
(Tuya es la Gloria) God is here today
Opening Song
Alabare
Confession
Glory to God
Offertory
God’s love made visible
Closing Song
Wade
in the water
11 AM
Hymns
472, O Sing to the Lord (CANTAD AL SENOR)
Help us accept each other (ACCEPTANCE)
2107, Wade in the water (WADE)
Confession
2033, Glory to God (MACHU-PICHU)
Anthem
Dave Brubeck, God’s love made visible
Doxology
OLD HUNDREDTH
Instrumental/Organ Music
Prelude: Alberto Ginestera, Villancio
Offertory: Dave Brubeck, Take
Five Postlude: TBA Title
This week the story of Jesus' baptism in Luke brought to mind Dave Brubeck's song, "God's love made visible," from the cantata "Le Fiesta de la posada." The sense of God's glory being manifest in Jesus at the baptism event, to me, is well-captured in Brubeck's text. Once I had that bit of music selected, the other bits kind of flowed. We've got the whole Hispanic music thing going on, plus the bonus Brubeck piece at 11AM. Alberto Ginstera (1916-1983) was an Argentinian composer, mostly of orchestral music; he's got just a couple of pieces for organ. We'll hear one movement from one of them at 11AM. I have lined up Nick Murphy and Cammy Holy to play trumpets on "God's love..." at both services. And Allen Bell learned "Take Five" on saxophone to play with me at 11AM. I am very proud of these kids and their talent, and their willingness to share it.
Thursday, January 3, 2013
Music for 010613
FirstLight
Gathering Song(s)
Lord, be glorified
Glorify thy name
Opening Song
We three kings of orient are
Confession
Gloria, gloria (TAIZE)
Offertory
Beautiful Star of Bethlehem
Closing Song
Go tell it on the mountain
11 AM
Hymns 411, Arise, your light has come (FESTAL SONG)
66, We three kings of orient are (KINGS OF ORIENT)
29, Go tell it on the mountain (GO TELL IT)
Confession
576, Gloria, Gloria (TAIZE)
Doxology
OLD HUNDREDTH
Praise God from whom all blessings flow;
Praise God all creatures here below;
Praise God above you heavenly host;
Praise Father, Son and Holy Ghost. Amen.
Instrumental/Organ Music
Prelude: George Oldroyd, Liturgical Improvisation Number 3
Pour light upon us from above,
And fire our hearts with thy strong love…
Offertory: Arr. Robert Hobby, Christ is the world’s light
A setting of PH 459
Christ is the world's light, Christ and none other;
born in our darkness, he became our brother.
If we have seen him we have seen the Father:
Glory to God on high!
Postlude: Dietrich Buxtehude, Chorale Fantasia on How brightly shines the morning star
A setting of PH #69
Gathering Song(s)
Lord, be glorified
Glorify thy name
Opening Song
We three kings of orient are
Confession
Gloria, gloria (TAIZE)
Offertory
Beautiful Star of Bethlehem
Closing Song
Go tell it on the mountain
11 AM
Hymns 411, Arise, your light has come (FESTAL SONG)
66, We three kings of orient are (KINGS OF ORIENT)
29, Go tell it on the mountain (GO TELL IT)
Confession
576, Gloria, Gloria (TAIZE)
Doxology
OLD HUNDREDTH
Praise God from whom all blessings flow;
Praise God all creatures here below;
Praise God above you heavenly host;
Praise Father, Son and Holy Ghost. Amen.
Instrumental/Organ Music
Prelude: George Oldroyd, Liturgical Improvisation Number 3
Pour light upon us from above,
And fire our hearts with thy strong love…
Offertory: Arr. Robert Hobby, Christ is the world’s light
A setting of PH 459
Christ is the world's light, Christ and none other;
born in our darkness, he became our brother.
If we have seen him we have seen the Father:
Glory to God on high!
Postlude: Dietrich Buxtehude, Chorale Fantasia on How brightly shines the morning star
A setting of PH #69
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