Music ministry

I was struck this week by how cool and exciting it is to be in church music these days. I think a key factor in my recent excitement is the setting in which I am working these days, but some of this would be relevant no matter where I was working.

Our congregation partners with Bread for the World. Yearly we take a Sunday to emphasize that relationship, and sponsor a letter-writing campaign to our state and federal political representatives on matters of hunger relief. A couple of years ago I got the idea of us celebrating communion on the day of this Bread for the World emphasis. It seems to resonate in the minds of our congregation. Also, in our congregation are a number of retired church professional: minister, educators, musicians, administrators and missionaries. These folks provide a unique energy to our life and mission and bring all manner of vibrancy and insight to our deliberation and priorities.

All of that is prelude or background to my thinking this week. In planning the music for Sunday, I wanted organ music that would "ping" off the Bread for the World relationship, be sensitive to our communion celebration, representative of our global faith, and musically challenging for me and compelling for the listener. I recently purchased a couple of folios of Asian-fusion music by Chelsea Chen, inspired by (I presume) her own ethnic heritage. One of the pieces in her collection of three Taiwanese folk songs is titled, "Song of the country farmer." I thought this might be a relevant piece for this Sunday. I did some investigating on the Internet (fruitless, but amazing that I could do that!). I asked one of our retired medical missionaries if she recognized the tune. "No," was her answer, but she allowed the piece was extremely reminiscent of indigenous music of Taiwan. I checked with the publisher via email to see if Chen had provided any additional notes that didn't appear in the folio. "No," was also their reply, but here, contact her directly via email and ask her yourself. A short email elicited an overnight reply! Chen was able to give me a little background on the song, just enough so that I can intelligently answer the questions I know I will field when folks hear this piece!

I was struck by how the resources available to me have expanded exponentially since I began church music 25 years ago. The wide array of repertoire that is being written for the global church, based on indigenous folks songs is new and exciting for me, and much-appreciated by this congregation. The ease with which I was able to contact the publisher and the arranger herself and get some helpful information, and form a nascent bond over a shared interest in folk music has made my day and makes me grateful.

For what it's worth, the other music in this Sunday's service includes Michael Jothen's "You are the branches" from Choristers Guild; Anne Krentz Organ's arrangement of "Mfurahini alleluia" in the Laudate series from Concordia, and a mix of old a new hymnody from the Presbyterian hymnal, "Glory to God."