FirstLight
Gathering Song(s)
Turn your eyes upon Jesus
Your grace is enough
Opening Song
Hallelujah (You’re love is amazing)
Prayer of Confession Response
There’s a wideness
Peace
Leaning on the everlasting arms
Offertory
Jesus, firm foundation
Closing Song
Grace alone (STF 2162)
11AM
Hymns
260, A mighty fortress (EIN FESTE BURG)
276, Great is thy faithfulness (FAITHFULNESS)
Confession Response
There’s a wideness in God’s mercy (CIVILITY)
Psalmody
65, Thou, O God art praised in Zion, Percy Whitlock (Anglican Chant)
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Arr. Don Marsh, Fairest Lord Jesus
Allen Bell, saxophone
Offertory: Deitrich Buxtehude, Ein Feste Burg
Postlude: Max Reger, Ein Feste Burg
Thursday, October 24, 2013
Thursday, October 17, 2013
Music for 102013
Our children's sabbath service, in which children help lead the service liturgically, and lead much of the music. It's also Stewardship Sunday, with a special meal after service, and our Handbells are ringing. Big day!
11AM
Anthem at the Readings
John Clarke, Praise to the Lord
Aerie Singers
Adult Handbells
Offertory: Arr. Kevin McChesney, Praise to the Lord the Almighty
Adult Handbells
Postlude: Arr. David Lasky, Fanfare on REGENT SQUARE
FirstLight
Gathering Song(s)
We sing of your glory/Tuya es la
Gloria
God is here today
Opening Song
All hail the power of Jesus’ name
Prayer of Confession
Response
Alabare
Psalmody
145, I will exalt my God, my King
Scripture/Proclamation
Open your ears, O faithful people
Offertory
Keith Hampton, Praise his holy name
Closing Song
You are holy, you are whole
Hymns
417, Christ is made the sure
foundation (REGENT SQUARE)
Fairest Lord Jesus (CRUSADER HYMN)
142, All hail the power of Jesus’
name (CORONATION)
Introit
Avery
& Marsh, We are the church
Carol Choir
Confession Response
Glory be to God the Father
(WESTMINSTER ABBEY)
Anthem at the Readings
John Clarke, Praise to the Lord
Aerie Singers
Doxology
592, Praise God from whom all blessings
flow (OLD HUNDREDTH)
Instrumental/Organ
Music
Prelude: Timothy Waugh, Reperqussio (“Reflection”) Adult Handbells
Offertory: Arr. Kevin McChesney, Praise to the Lord the Almighty
Adult Handbells
Postlude: Arr. David Lasky, Fanfare on REGENT SQUARE
Thursday, October 3, 2013
Music for 100613
FirstLight
Gathering Song(s)
I could sing of your love forever
Your grace is enough
Opening Song
Did you feel the mountains tremble
Peace
Salaam/Peace
Offertory
Christ’s glory
Communion
Responses: Kreiwald
Closing Song
Made me glad
11AM
Hymns
465, Here, O Lord, your servants gather (TOKYO)
440, In Christ there is no east or west (MCKEE)
Confession Response
2025, Halle, halle, hallelujah (CARIBBEAN)
Scripture
Open your ears O faithful people
Psalmody
Psalm 1, Setting by Gelineau
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Music during Communion
Responses: Eslinger
Instrumental/Organ Music
Offertory: Jane Marshall, Blessed is the man
Postlude: Gilbert Martin, Fanfare on MCKEE
Gathering Song(s)
I could sing of your love forever
Your grace is enough
Opening Song
Did you feel the mountains tremble
Peace
Salaam/Peace
Offertory
Christ’s glory
Communion
Responses: Kreiwald
Closing Song
Made me glad
11AM
Hymns
465, Here, O Lord, your servants gather (TOKYO)
440, In Christ there is no east or west (MCKEE)
Confession Response
2025, Halle, halle, hallelujah (CARIBBEAN)
Scripture
Open your ears O faithful people
Psalmody
Psalm 1, Setting by Gelineau
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Music during Communion
Responses: Eslinger
Instrumental/Organ Music
Offertory: Jane Marshall, Blessed is the man
Postlude: Gilbert Martin, Fanfare on MCKEE
Friday, September 13, 2013
Singing the psalms
This fall our congregation has begun to reclaim the ancient practice of singing the psalms. I got fired up about this a year or so ago, and my urge was confirmed at conferences this summer. As we transitioned from summer to fall I wrote a series of articles on the practice, and included discussion of the broad types of psalm-singing "out there" and which we might encounter as we began our practice.
Presbyterians have a long history of psalm-singing, including use of the paradigmatic Genevan Psalter. Though that is the case, I have been attuned to media that comment on the use of psalms in worship, particularly singing the psalms, to be able to articulate my rationale for re-kindling this worship practice in our congregation.
Thus I was delighted to happen upon an interview with NT Wright in Christianity Today, in which he argues for the singing of psalms in worship, including in contemporary services. His basic thrust is that any worship can become lukewarm, and psalm-singing prods the worshiper to ever-new depths of understanding the Trinity and our faith. He particularly notes that some contemporary worship music can leave one spiritually hungry, and a steady diet of singing the psalms can provide needful nourishment.
I was a bit nervous about leading the worshipers at our contemporary/alternative service into a re-discovery of psalm-singing. This article confirmed my sense that it was a good decision to bring psalmody to both congregations, in musical styles appropriate to each. The word is still out on how this practice is being perceived within our worshiping community, but I feel even more committed now to the route we are taking in reclaiming this collection of ancient songs of faith.
Presbyterians have a long history of psalm-singing, including use of the paradigmatic Genevan Psalter. Though that is the case, I have been attuned to media that comment on the use of psalms in worship, particularly singing the psalms, to be able to articulate my rationale for re-kindling this worship practice in our congregation.
Thus I was delighted to happen upon an interview with NT Wright in Christianity Today, in which he argues for the singing of psalms in worship, including in contemporary services. His basic thrust is that any worship can become lukewarm, and psalm-singing prods the worshiper to ever-new depths of understanding the Trinity and our faith. He particularly notes that some contemporary worship music can leave one spiritually hungry, and a steady diet of singing the psalms can provide needful nourishment.
I was a bit nervous about leading the worshipers at our contemporary/alternative service into a re-discovery of psalm-singing. This article confirmed my sense that it was a good decision to bring psalmody to both congregations, in musical styles appropriate to each. The word is still out on how this practice is being perceived within our worshiping community, but I feel even more committed now to the route we are taking in reclaiming this collection of ancient songs of faith.
Thursday, September 12, 2013
Music for 091513
FirstLight
Gathering Song(s)
Bless the Lord, my soul (Taize, STF 2013)
10,000 Reasons (Bless the Lord, O my soul)
Opening Song
Shout to the north
Prayer of Confession Response
Halle, halle, hallelujah (STF 2026)
Psalmody
One thing I ask
Offertory
Blessed assurance
Prayers
Wait for the Lord (Taize) (new)
Closing Song
Everlasting God
11AM
Hymns
371, Lift high the cross (CRUCIFER)
423, Jesus shall reign where’er the sun (DUKE STREET)
Confession Response
Glory be to God the Father (WESTMINSTER ABBEY)
Psalmody
179, God is my strong salvation (CHRISTUS DER IST MEIN LEBEN)
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Theodore Dubois, Prière
Offertory: Mark Patterson, The Lord is my strength
Postlude: Cesar Franck, Sortie
Gathering Song(s)
Bless the Lord, my soul (Taize, STF 2013)
10,000 Reasons (Bless the Lord, O my soul)
Opening Song
Shout to the north
Prayer of Confession Response
Halle, halle, hallelujah (STF 2026)
Psalmody
One thing I ask
Offertory
Blessed assurance
Prayers
Wait for the Lord (Taize) (new)
Closing Song
Everlasting God
11AM
Hymns
371, Lift high the cross (CRUCIFER)
423, Jesus shall reign where’er the sun (DUKE STREET)
Confession Response
Glory be to God the Father (WESTMINSTER ABBEY)
Psalmody
179, God is my strong salvation (CHRISTUS DER IST MEIN LEBEN)
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Theodore Dubois, Prière
Offertory: Mark Patterson, The Lord is my strength
Postlude: Cesar Franck, Sortie
Thursday, September 5, 2013
Music for 090813
FirstLight
Gathering Song(s)
He knows my name
Better is one day
Opening Song
Blessed be your name (in B)
Prayer of Confession Response
There’s a wideness in God’s mercy (DeMey)
Psalmody
O Lord, my God, you know all my ways (PAS 139E)
Offertory
Christ in me arise
Closing Song
I have decided to follow Jesus (STF 2129)
11AM
Hymns
476, O worship the King, all glorious above (LYONS)
388, O Jesus, I have promised (ANGEL’S STORY)
2129, I Have decided to follow Jesus (ASSAM)
Confession Response
DeMey, There’s a wideness in God’s mercy
Psalmody
139, Hal Hopson, Alice Keith Knowles, cantor
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Prayers
Take, O take me as I am
Instrumental/Organ Music
Prelude: Alec Rowley, Benedictus
Offertory: Allen Pote, Psalm 139
Postlude: Nicholas Jacques Lemmens, Fanfare
Gathering Song(s)
He knows my name
Better is one day
Opening Song
Blessed be your name (in B)
Prayer of Confession Response
There’s a wideness in God’s mercy (DeMey)
Psalmody
O Lord, my God, you know all my ways (PAS 139E)
Offertory
Christ in me arise
Closing Song
I have decided to follow Jesus (STF 2129)
11AM
Hymns
476, O worship the King, all glorious above (LYONS)
388, O Jesus, I have promised (ANGEL’S STORY)
2129, I Have decided to follow Jesus (ASSAM)
Confession Response
DeMey, There’s a wideness in God’s mercy
Psalmody
139, Hal Hopson, Alice Keith Knowles, cantor
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Prayers
Take, O take me as I am
Instrumental/Organ Music
Prelude: Alec Rowley, Benedictus
Offertory: Allen Pote, Psalm 139
Postlude: Nicholas Jacques Lemmens, Fanfare
Thursday, August 29, 2013
Music for 090113
FirstLight
Gathering Song(s)
No higher calling
Turn my heart
Opening Song
Not to us
Prayer of Confession Response
Your mercy flows
Offertory
Arise, my soul, arise
Prayers
Amazing grace (Alleluia)
Closing Song
Christ be our light
11AM
Hymns
483, Sing praise to God, who reigns above (MIT FREUDEN ZART)
280, Amazing grace, how sweet the sound (NEW BRITAIN)
421, The Church of Christ in every age (WAREHAM)
Confession Response
579, Glory be to the Father (GREATOREX)
Anthem
Glenn Burleigh, Order my steps
A setting of Psalm 119.133:
Keep my steps steady according to your promise,
and never let iniquity have dominion over me.
Jane Hartsfield, Libby Barker, soloists
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Charles Murrill, Voluntary on WAREHAM
Offertory: Hermann Schroeder, Pastorale
Postlude: Emma Lou Diemer, Mit Freuden Zart
Gathering Song(s)
No higher calling
Turn my heart
Opening Song
Not to us
Prayer of Confession Response
Your mercy flows
Offertory
Arise, my soul, arise
Prayers
Amazing grace (Alleluia)
Closing Song
Christ be our light
11AM
Hymns
483, Sing praise to God, who reigns above (MIT FREUDEN ZART)
280, Amazing grace, how sweet the sound (NEW BRITAIN)
421, The Church of Christ in every age (WAREHAM)
Confession Response
579, Glory be to the Father (GREATOREX)
Anthem
Glenn Burleigh, Order my steps
A setting of Psalm 119.133:
Keep my steps steady according to your promise,
and never let iniquity have dominion over me.
Jane Hartsfield, Libby Barker, soloists
Doxology
592, Praise God from whom all blessings flow (OLD HUNDREDTH)
Instrumental/Organ Music
Prelude: Charles Murrill, Voluntary on WAREHAM
Offertory: Hermann Schroeder, Pastorale
Postlude: Emma Lou Diemer, Mit Freuden Zart
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