Wednesday, October 15, 2014

PipeScreams, the untold story



When I was in divinity school in Washington, DC I attended an American Guild of Organists event at the Kennedy Center with friends. It was billed as Pipe Screams and involved several prominent organists in the area sharing the program. I don't remember too much more about it, other than my reaction being that if I were going to ever be involved in church music again, one of my goals would be to do a concert like that.

Fast forward 5 years or so and I had indeed left ordained ministry and was back in church music. It took a couple more years, but when I was in Ashland, VA I did my own PipeScreams concert. I strove to target the children and youth in our congregation as attendees and got a handful of older students to help with set-up and decorations. The second year I borrowed a fog machine from my wife's work (Richmond Ballet); the kids hung all kinds of spooky decorations in the organ chambers. We all had a blast with it.

When I landed in Black Mountain, NC 8 years ago, I began PipeScreams again, in my third year. It's been a big hit. A couple of years in I got a church member to construct a couple of home-made fog machines. We invite everyone to come in costume; plenty of folks of all ages do. We have tried getting flyers in the hands of school students to encourage them to attend. We've tried newspaper and radio publicity. But the biggest thing that has drawn folks has been word of mouth, as the event has held steady over the years.

I have tried different gimmicks along the way. One year a young attendee was so struck by the fog that she draw a picture of the organ with "smoke" coming out of it. The next year, I used that image on the cover of the program. Three different years I have had piano students of mine play one of their "spooky" sounding pieces on the organ as part of the program. Most years I do a short introduction to the organ about halfway through the event: I explain some basics about the instrument, let a couple of kids blow a pipe; that sort of thing. The repertoire has held steady over the years with some perennial favorites. I have introduced different music and rotate through those titles over the course of several years. If you're interested you can view my working repertoire document here.
 PipeScreams is one of three organ events I do during the year. I do a child-friendly Christmas concert in December. I also do a more formal "sacred concert" for Good Friday most years. I feel that PipeScreams and JinglePipes lay the groundwork for a child or older student to experience the Good Friday concert. I haven't had this pattern in place long enough to really see folks (children) making that connection and making the transition from the "fun" concerts to the more "serious" one. But I am hopeful that I'll see that soon.

We've begun our publicity for PipeScreams this year, but I could use some help with a title. Read below for the previous year's names. Drop a note in the comments if you have an idea.

PipeScreams
PipeScreams II, Scream Louder
PipeScreams III, Nightmare on Montreat Road
PipeScreams IV, Smokin' Pipes
PipeScreams V, Mikey's Back
PIpeScreams VI, ????

Thursday, October 9, 2014

Choir Anthem Connection: Fall, 2014

The choir is learning a fairly new setting of "O God our help in ages past" by Rhonda Woodward. It's a really nice a capella setting in D major, with a flatted seventh. Altos begin, followed by tenors and sopranos and finally basses. The piece is in two large sections with fairly closely-related thematic material. Both sections have that flatted seventh thing going on. Last night at rehearsal, one of the singers remarked that it reminded her of "The Wreck of the Edmund Fitzgerald." It does indeed have that similar folk-y sound, characterized by the flatted seventh, without the rhythmic drive of the popular song. The Woodward setting is remarkable for how it works with a very confined musical theme, but does so much with it. While I can't really call it a perfect piece of choral music, a distinct category in my imagination, it really is commendable. Woodward's setting has been recorded by the BYU choir in 2003. Luckily the publisher provided a demo recording of the complete arrangement at the time of publication, which I still have. (Don't tell anyone, but I dubbed it onto my personal "great choral music" compilation!) Woodward herself, according to the bio on the musical score lives nearby in SC; I don't know if she is still there. So here are some links to listen to and compare and contrast.

Woodward, "O God our Help in Ages Past" (excerpt), Brigham Young University Choir ("The Road Home")
(scroll down the playlist and click on the title to hear the excerpt)
Gordon Lightfoot, "The Wreck of the Edmund Fitzgerald"

Thursday, October 2, 2014

Music for 100514

FirstLight
Gathering Song(s)
Made me glad

Opening Song
Shine, Jesus, shine

Prayer of Praise Response/Confession
Glory to God whose goodness

Communion
Responses: Leon Roberts Great thanksgiving
Distribution: Jesus Messiah

Offertory   
The church’s one foundation

Closing Song
Refiner’s fire
            
11AM
Hymns
321, The church’s one foundation (AURELIA)
516, For the bread which you have broken (KINGDOM)

Confession Response
582, Glory to God whose goodness (GLORY TO GOD)

Doxology 712.3
In Gratitude and Humble Trust (FOREST GREEN)

Communion
Responses 556, 557, 558
Distribution: 515, 529

Instrumental/Organ Music
Prelude: Voluntary on Kingdom
Offertory: Mark Miller, I believe  
The story goes that these words were found scratched on the walls of a church basement in Koln, Germany during the Holocaust, having been written by Jewish people trying to escape to safety. It lies in the same category of texts as those assembled by Charles Davidson into his children's cantata, "I never saw another butterfly." More precise determinations of the origins of the poem are impossible, and probably not necessary.
"I believe in the sun, even when it's not shining
I believe in love, even when I don't feel it.
I believe in God, even when God is silent."
Postlude: Michael Camidge, Gavotte in G Minor

Thursday, September 25, 2014

Music for 092814

FirstLight
Gathering Song(s)
Shout to the Lord
Shout to the north

Opening Song
Lord, I lift your name on high

Prayer of Praise Response/Confession
Jubilate, everybody

Psalmody/Canticle
Jesus Christ is Lord (Canedo)

Offertory   
Cornerstone

Closing Song
In Christ alone
            
11AM
Hymns
263, All hail the power of Jesus’ name (DIADEM)
215, What wondrous love is this (WONDROUS LOVE)
264, At the name of Jesus (KINGS WESTON)

Confession Response
394.4, Laud and honor to the Father (WESTMINSTER ABBEY)

Prayer for Illumination
455, Listen to the word (LISTEN)

Psalmody/Canticle
Canedo, Jesus Christ is Lord

Doxology
In Gratitude and Humble Trust (FOREST GREEN)

Benediction Response
Three-Fold Amen (DANISH)

Instrumental/Organ Music
Prelude: Samuel Barber, Wondrous love
Offertory:   Dan Goeller, Hear my cry
Nick Murphy, piano, Scott Roy, guitar, David Hekking, bass, Eli Barker, drums
Postlude: Marko Hakanpää (b.1970), Trumpet Tune (Trumpettisävelmä)

I learned of the organ postlude, by a young-ish Finnish composer, via Facebook! A video of the composer playing the piece popped up on an organist page I subscribe to, and I got the music via Lulu.com, the self-publishing site. Pretty cool!

Saturday, September 13, 2014

Music for 091414

FirstLight
Gathering Song(s)
            No higher calling
Opening Song
            Standing on the promises
Prayer of Praise Response/Confession
            Surely it is God who saves me (STF 2030)
Psalmody/Canticle
            Old Testament Canticle: Exodus 15: Miriam’s Song (Barker)
Offertory        
            Jesus, firm foundation
 Prayers
            Lord’s Prayer (STF 2278)
Closing Song
            My hope is built
             
11AM
Hymns
            838, Standing on the promises (STANDING)
            353, My hope is built
            463, How firm a foundation (FOUNDATION)
Confession Response
            71.R. Surely it is God who saves me
Psalmody/Canticle
            Old Testament: Exodus 15: Miriam’s Song (Barker)
            Image
Doxology (FOREST GREEN)
In gratitude and humble trust...
Benediction Response
            Vaughan Williams, God be with you (GTG 541)
Instrumental/Organ Music
Prelude: John A. Behnke, Aria on My hope is built
            A setting of an alternate tune for the familiar hymn
Offertory:   Handel, Halleujah, Amen
Postlude:  Handel, Allegro from Concerto in F

Friday, September 5, 2014

Music for 090714

FirstLight
Gathering Song(s)
Praise, praise, praise the Lord
 
Opening Song
Bwana asifiwe and Praise to the Lord the Almighty
 
Prayer of Praise Response/Confession
You are my King (Amazing love)
 
Psalmody/Canticle
Psalm 149, Hallelujah, sing to God
 
Offertory        
Children of light

Closing Song
Jesu, Jesu, fill us with your love (in D)
 
11AM
Hymns
612, We praise you, O God (KREMSER)
377, I want to walk as a child of the light (HOUSTON)
203, Jesu, Jesu, fill us with your love
 
Confession Response
This is my commandment (image)
 
Psalmody/Canticle
Psalm 149: GtG #550, Give praise to the Lord (LAUDATE DOMINUM) 

Doxology 
OLD HUNDREDTH

Benediction Response 
Natalie Sleeth, Go now in peace
 
Instrumental/Organ Music
Prelude: singing: GtG 390, Praise, praise, praise the Lord 
(LOUEZ LE SEIGNEUR) 

Offertory:   Guiseppe Pitoni, Cantate Domino
Cantate Domino canticum novum
Laus eius in ecclesia sanctorum
           Laetetur Israel in eo qui fecit eum
           Et filiae Sion exultent in rege suo.

          Sing to the Lord a new canticle:
          let his praise be in the church of the saints.
          Let Israel rejoice in him that made him:
          and let the children of Sion be joyful in their king.

Postlude:  Arr. Charles Callahan, Fugue on Laudate Dominum

Thursday, August 14, 2014

Music for 081714


FirstLight
Gathering Song(s)
Turn my heart, O God
He knows my name

Opening Song
Here I am to worship

Prayer of Praise Response/Confession
El Shaddai

Psalmody/Canticle
Psalm 133, O look and wonder (MIREN QUE BUENO)

Offertory  
More love, more power

Prayers
Goodness is stronger than evil (STF 2219)

Closing Song
Let us build a house (GtG 301)

11AM
Hymns
305, Come sing, O church, in joy (DARWELLS 148TH)
301, Let us build a house (TWO OAKS)
318, In Christ there is no east of west (ST PETER)

Confession Response
El Shaddai

Psalmody/Canticle
Psalm 133, GtG #397, O look and wonder (MIREN QUE BUENO)

Doxology
OLD HUNDREDTH

Prayers
750, Goodness is stronger than evil (GOODNESS IS STRONGER)

Instrumental/Organ Music
Prelude: William Harris, Pastorale-Prelude
Offertory:   Dan Locklair, Adagio (“…hallowed be thy name…”),
from Salem Suite
Postlude:  Léon Boëllmann, Final-Marche, from Second Suite for Organ